This is the final BABEL album. At least for a while. I’m putting the project into hibernation as I did in 2006 until I resurrected it in 2009 for the ‘RILE’ album. When I started making music as BABEL again, I had a very specific idea of what kind of music I wanted it to be. Something at the nexus of Einsturzende Neubauten and Peter Gabriel’s soundtrack for The Last Temptation of Christ. Over the last 7 years I’ve tried to get there from a number of angles and this album, ‘Sofandi’, is where I finally achieve the sound in my head (or as near enough as to satisfy my intentions). It collects the clanging industrial guitar of ‘Heurter’ and ‘Zwerm’, the lone endless reverb piano notes of ‘Morpheum’, the guitar drones of ‘Maze’ and ‘Cosmos Bleu’, the tinkling chimes of ‘Glockengeister’, the plaintive reeds and¬†abstract percussion of the ‘Sacred Fire’ albums and the kosmische synths of more recent works. Every idea I’ve had converges here, so what is left to say? Time to put the project to sleep and watch the fire die.¬†

Review and eulogy at A Closer Listen.

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